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Film Analysis: Sleaford Mods' Jason Williamson Assumes Role in Sceptical Look at Ecstasy Generation Era

The work of Portishead co-founder the musician-producer, this sharp-edged if slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to burgle his own parents. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Duel

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, enraged after David kills his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, determined to soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

There is only one key story turn, but it results in a hilariously staged rampage on the forest trails that dips close to folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film releases in British and Irish cinemas from 17 November.

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Alyssa Smith

A seasoned business strategist with over 15 years of experience in digital transformation and corporate innovation.

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